This 60‑second VO edit tells the same nonfiction story as the interview version, but entirely through a voiceover that I wrote myself. The goal of this project was to summarize the interviewee’s story in my own words and match the narration to B‑roll that visually supports each point. This version focuses on clarity, pacing, and strong visual storytelling without using any interview audio or on‑camera interview shots.
I wrote the full voiceover script, recorded the narration, and edited the audio to fit the exact 60‑second requirement. I selected and organized all B‑roll shots, making sure they aligned with the VO and followed the required shot types (wide, medium, close‑up, extreme close‑up). I handled all technical aspects, including tripod setup, white balance, exposure, focus, and capturing clean natural sound. In editing, I layered the B‑roll over the VO, adjusted audio levels, and created a smooth, cohesive final piece.
I learned how challenging it is to write a VO that is clear, concise, and fits perfectly into 60 seconds. Matching the visuals to the narration required careful planning, and it taught me how important pacing and script structure are in nonfiction storytelling. One challenge was making sure the VO didn’t sound rushed, which helped me understand the value of recording multiple takes.
The strongest part of this edit is how the B‑roll and narration work together to tell the story without relying on the interview audio. The visuals feel purposeful, and the VO gives the piece a clean, polished flow.
If I could revise it, I would spend more time refining the script so the transitions between ideas feel even smoother. I’d also experiment with recording the VO in different spaces to get the cleanest possible sound with less room tone.
Norm Breakers Hub 